notes

the danger of narrative

  • People tend to see their lives as stories
  • Narrator views self as romantic hero, dark horse
  • “The story should go like this”, so he tries to win her over

great (but false) expectations

  • Clinging to expectations and fantasy leads to suffering

the dangers of imagination

  • The narrator does not fully experience reality
  • Stuck in delusion and fantasy
    • Wanting to return to a dream to escape reality
  • Kierkegaard The Sickness Unto Death
    • Suffering catches up with those who run from despair through fantasy and imagination
  • Fear of it all falling apart
    • Unable to focus on fantasy anymore
      • Yet inevitable

ego, romance, and suffering

  • Need Nastenka to acknowledge his heroism to satisfy his ego
    • White knight
    • Rejection
      • Blow to sense of self
  • Nastenka rescuing self-image by leaping into narrator’s arms
    • Self-esteem from being loved
  • Jean Paul Sartre: we cannot form our identities in isolation
    • Must be confirmed by peers to fully believe
  • Obsession with self-image
    • Inflated view of significance
      • Pressure

the over-focus on romantic love

  • Cannot move on
  • Small drop sustains him for the rest of his life
  • Forgets about all other forms of love
  • Aristotle: the greater part of love is in the loving (Nicomachean Ethics)